The Name remains one of my favorite projects Blonski and I have ever worked on. The combination of samples, live performance restriction, and multiple-meaning-laden lyrics make it one of the coolest concepts we’ve come up with. On the first release, an EP with only two original songs, we explored a few different sounds without knowing exactly where we were headed. This second album was even more groovy and we were pushing what we could accomplish with our live setup.
The Name 2 or The Sequel to the Band: The title of this song perfectly sums up why I love this band. They named a song as the sequel to the band itself. It hurts my brain. It’s also possibly my favorite song we wrote as The Name. Mix one part funky guitar and bass, one part pottery/sensuality, and one part breathy vocals and you get this obvious “single” from an album that was never completed. Luckily, this one was nearly finished and is totally listenable. I think it was only missing a trumpet solo? Maybe?
Blonski Says: "The Name sessions definitely stand out as the most fun collaborative recording endeavor Mike and I have done recently. This track was a strong beginning to a second offering... unfortunately the live performance aspect wasn't realized for the newer material, and we stopped short of another EP. Very fun to listen to!"
The Quench Incident or: We couldn’t even come up with a second title for this one. The rap section would have been epic if we ever did final vocal takes. This one sounds like a combination of Jamiroquai and later-era Parliament. It’s also about the Large Hadron Collider, so there’s that. Worth noting is that Blonski claims to be the “Higga Man.” Be sure to listen for my groan of disgust at the quality of our scratch vocals!
Blonski Says: "Yikes, my rap verse! I really liked our experimentation on this one, and you can hear the fun we had recording the scratch vocals. This was maybe a bit too much to pull off without a lot more polishing, especially live, but if we had it would have been great. Gotta dust off the sampler!"
Here’s the no vocal version as a bonus:
Blonski Says: "Listening to the track without the vocals makes me think the track was a little thin sounding, but we really didn't mess much with playing it live to kinda evolve and 'fill in' the canvas. It grooves though."